New Japanese architecture
Authors
Citation
Hinge, v.108, 2004, pp. 36-59
Abstract
In the vast story of modern architecture, especially post-World War II, Japan has earned (and retained) a singular position. First Kenzo Tange, then Arata Isozaki, then Tadao Ando and a slew of others came along and created a lineage of talent that became known for ambitious, exact, and often fascinating buildings. Now a new generation has picked up the mantel, and is striving to widen a reputation toward new ideas and forms.
(1) N Maeda Atelier
(a) Flamingo
(b) The Rose
(c) Device #9
(d) Borzoi
(2) Suppose Design Office
(a) Misonou
(b) Float
(c) Ottoya Japanese Dining
(d) Ushita House
(3) Hideki Yoshimatsu & Archipro
(a) Cemetery for the Unknown
(b) Earthworks Center
(c) Mirasaka Ceramics Studio
(d) Tokyo House
(4) Cell Space Architects
(a) Nasunogahara - Harmony Hall
(b) Genji Paper Sculpture Museum
(c) Motoazabu House
(5) Chiba Manabu Architects
(a) House in Black
(b) Split
(c) Trio
(d) Villa in Katsura
Description
Subject
Type
Article
Format
Date
2004
Language
en