Duologue: Gerard D'Alton Henderson with Ildi Moran
Authors
Citation
ARCH : the Asian magazine of architecture, design and visual communications, no.6, 1990, pp. 28-39
Abstract
Overall, we have to profess our greatest appreciation to the several brave spirits who have entered into conversation with Arch, in this ever lively format of "Duologue". In the nearly two years of our existence, Duologue has always generated an appreciative response, though not always one in total agreement with the views expressed by our illustrious confidantes. In this final edition of 1989, before we enter our third year, we have departed somewhat from precedent and have chosen to engage in tete a tete with Gerard D'A. Henderson, artist and sculptor, sometimes described as a renaissance man in acknowledgement of his dizzyingly wide range of interests and abilities in the arts - arts visual, material, Epicurean, and possibly amorous. And, we would be less than honest if we did not admit to a twinge of apprehension: Gerard Henderson is a man known for a swiftly moving stream-of-consciousness expressiveness which, while undeniably delightful, cannot in all honesty be described as a duologue. Nevertheless, we have listened carefully, spoken occasionally, and have tried very hard to learn something more about this elusive, sometimes fey, and intrinsically highly driven, creative being than has already been revealed being than has already been revealed in an admittedly fairly hefty body of existing material.
Description
Subject
Type
Article
Format
Date
1990
Language
en